From the National Post:

Shaun Greenhalgh, an Englishman whose furtive career has been unfolding in courtrooms, newspapers and museums for the last three months, may well be the most versatile art forger in history.

In 2002, Dad dropped in to the Bolton Museum to ask whether anyone would like to see a 20-inch-high Egyptian sculpture, which his great-grandfather had purchased in 1892 from the contents auction at the home of the 4th Earl of Egremont. It was translucent alabaster, and in photos it’s pretty.

Dad suggested it might represent a daughter of Nefertiti. He guessed it could be worth £500 ($996). He brought along the catalogue of the auction, which his great-grandfather had fortunately kept. In truth, Shaun had found the catalogue. He used the descriptive details in its yellowing pages to make the sculpture.

Experts pronounced it authentic and Bolton Council paid £439,767 to buy it for the Bolton Museum. It wasn’t local money, of course; it came from a national fund supported by lotteries. The museum people were quite chuffed. They thought the piece possibly worth twice that much. One museum employee called Dad “a nice old man who had no idea of the significance of what he owned.” The sculpture remained on exhibit until one fateful day in February, 2006.

After many successful years, and scores of sales, the Greenhalghs were caught out by that old devil hubris. Shaun, deeply impressed by his own talent, forgot that serious chicanery requires careful attention to detail. He sent the British Museum what was apparently an ancient Assyrian stone relief showing a soldier and horses with cuneiform writing. It looked great until someone noticed a minor spelling mistake in the writing and someone else said that the harness on the horses was from the wrong period.